Elara is an experienced HR strategist with a passion for connecting companies with exceptional talent worldwide.
As a pioneer of electronic music and his ensemble Kraftwerk redefined popular music and influenced artists from David Bowie and New Order to Coldplay and Run-DMC.
Presently, his synth gear along with devices utilized by the musician to create the group's famous compositions during the '70s and '80s are estimated to earn a high six-figure sum as they go under the hammer at auction next month.
Compositions from an independent endeavor the artist was developing just before he died due to cancer in his seventies in 2020 can be heard for the first time via footage related to the event.
Alongside his suitcase synthesiser, his wind instrument and his vocoders – utilized by him for robotic vocal effects – enthusiasts have the opportunity to purchase approximately 500 of Schneider’s personal possessions through bidding.
These include his set exceeding 100 musical wind tools, several snapshots, eyewear, the passport he used while touring before 1979 and his VW panel van, which he custom-painted grey.
The bike he rode, featured for the Tour de France clip and is depicted on the single’s artwork, will be auctioned later this month.
The projected worth of the sale ranges from $450,000 to $650,000.
They were innovators – they were one of the first bands with electronic gear crafting compositions entirely new to listeners.
Other bands viewed their songs “mind-blowing”. It revealed a fresh route for compositions that Kraftwerk created. It inspired many acts to move in the direction of using synthesised electronic music.
For smaller budgets, a group with dozens of snapshots Schneider took showing his musical tools is available for $100 to $200.
More unusual pieces, like a clear, colorful bass and an unusual insect replica, placed on Schneider’s studio wall, are priced at $200 to $400.
The musician's eyewear with green lenses along with instant photos featuring the glasses could sell for $300 to $500.
He always believed that they are meant to be played and enjoyed by others – not stored away or gathering dust in storage. His desire was his instruments to go to individuals that will cherish them: artists, gatherers and admirers by the art of sound.
Considering Kraftwerk’s influence, a well-known drummer said: “From the early days, we were fans. Their work that made us all take notice: this is new. They were doing innovative work … fresh sounds – they intentionally avoided previous styles.”
Elara is an experienced HR strategist with a passion for connecting companies with exceptional talent worldwide.